October 2007

Polenta Power

In the Chelsea Market, on 9th Ave., there’s an Italian goods store that features rows upon rows of imported treasures from Italy. There you’ll find salt-packed anchovies, genuine San Marzano tomatoes, even white truffles for several hundred dollars a pop. Every time I go in there, I marvel at the goods and then I leave empty-handed: I never know what to buy.

Recently, though, I was determined to buy something. I toured around the store and there, in the back corner near the meat counter, I spotted it: real, Italian polenta. When I say “real” polenta I mean not instant polenta. Everywhere else I’ve ever bought polenta–Key Foods, Whole Foods, Union Market–only sells instant. I wanted to experience the real deal, the kind that cooks for 45 minutes. And so I left the Italian goods store with not one but two packs of genuine Italian polenta.

I wish now to describe to you the difference between instant polenta and “real polenta.” If this were the SATs, it would go something like this:

1. Instant polenta is to regular polenta as…

(a) Care Bears are to polar bears;

(b) sitting in a massage chair at the Sharper Image is to spending a week at an Arizona spa;

(c) table for 1 at the IHOP is to table for 20 at The French Laundry.

(d) All of the Above.

The answer is D and if you haven’t yet made REAL polenta at home you get a D in my book. It’s such a shocking thing–it’s so much creamier, sultrier, sexier than instant polenta, I feel like a polenta virgin who just spent a night with Sofia Loren in a bordello. What? I don’t know. Polenta power!

So the dish you see above is polenta for breakfast. It comes from Lidia Bastiniach’s book “Lidia’s Family Table” and it’s as hardy a breakfast as you could want, especially as the weather gets colder. You cook the polenta for 40 minutes with 5 cups water to 1 cup polenta and a pinch of salt, plus a few bay leaves. Lidia has you stream the polenta into the water when it’s cold, whisking all the way, and then turn on the heat–I’m not sure what that does, but it certainly produced excellent polenta. You must stir as it goes–every few minutes or so–or it’ll stick.

Once it’s cooked through, you add a cup or two of grated Parmesan (yum!) and half a stick of butter (double yum!) And here’s the real smacker (smacker? Adam what kind of word is smacker?): once in the bowl, put an egg yolk on top and the residual heat will cook it. Grate over more cheese, some pepper too and you have a breakfast of champions. Italian champions. Like Rocky—cue Rocky music.

If you want polenta for dinner, do as Alice Waters says to do in her new book “The Art of Simple Food.” Get a baking dish, layer in polenta, tomato sauce, fresh mozarella, and Parmesan and make a polenta lasagna. Bake in the oven til golden brown on top, like here except this didn’t get really gold:

IMG_2.JPG

But what a dinner. Diana came over that night (remember Diana? She was my old roommate) and all three of us dug in with abandon. It was messy–it was hard to make pretty on the plate–but it was oh so good.

And so, I hope I have convinced you of the power of polenta. Real polenta, not that mamby pamby instant kind. If you’re going to make polenta, make the real thing. It’s worth it.

The Book Supplement

I made an absolute effort, when writing my book, not to rehash any old material from the blog. I wanted each chapter to feature an entirely new story, a new experience that would excite loyal readers who’ve been reading me from the beginning as well as new readers who’d discover me in the book store. What you may not know, however, is that as I wrote the book, I would post pictures that correlated to specific chapters without revealing their ultimate destination. For example, when I did the post Farmer’s Market Bounty in August 2005 you didn’t know that this red and yellow tomato salad would figure prominently on pg. 34, did you?

What follows, then, are links and pictures and recipes that should supplement the book for anyone who’s finished reading it and is looking for more. If you haven’t read the book yet, I’d advise not clicking ahead–you may ruin some surprises. Instead, I’d click here and order yourself a copy. You’ll love it! Everyone else, prepare to be supplemented.

What was the best thing you ate this weekend?

My answer’s easy: we had leftover basil from a soup I made on Friday night (a Tuscan bean soup that I’ll tell you about later in the week). I whipped up a quick pesto–garlic, pine nuts, and salt zapped with the basil and then olive oil streamed in through the tube, grated Parmesan added at the end–and, instead of using dried spaghetti as I normally might, I made linguini from scratch:

That might sound incredibly audacious, but it really wasn’t. I used a Lydia Bastianich recipe and it was this simple: put two cups of flour into a bowl, add 2 eggs, 1/4 cup olive oil and 3 Tbs of cold water. That’s it. Stir together with a fork until it comes together into a ball and then knead it in the bowl. Once it’s really together, put on a floured board and need for another few minutes. Wrap in plastic, let rest 30 minutes, and then put through your pasta machine.

Now I won’t lie, my machine was causing me some frustration. Craig heard me yelling a certain word that starts with “F” from the other room, and that’s because: (1) the machine kept hopping around, the clamp that’s supposed to stick it to the table wasn’t working; and (2) mysteriously, the first setting wasn’t flattening the pasta the way it should have, it was making it all dimpled and weird. I resolved this by rolling it out a lot by hand and then feeding it through the machine: once I did that, it was a cinch. I got a big pot of water boiling, cooked the pasta for less than a minute, and then tossed with the pesto. It was fantastic.

But enough about me…what was the best thing you ate this weekend??

P.S. My Next Iron Chef post is up on The Food Network site, check it out here.

P.P.S. Last week I did an interview with Jewcy, a Jewish website, and if you want to read all about my bris and how the mohel botched it, you can click here.

P.P.P.S. You may have noticed my picture quality looks a little funky: that’s because my real camera’s in the shop, so I’ve been using my cellphone camera. Hopefully my camera will be repaired and ready this week. Thank you.

The Winning Casserole: Cheese Love

As I hoped, your prodding inspired the Casserole Contest winners, Zack and Graham (pictured above with Emily) to share their recipe. Zack implores: “I can’t over-emphasize the importance of the Bobolink cheddar in this recipe. It is generally only available directly from the farmer/cheesemaker and I know that it is expensive when compared to industrial cheeses, but I have tried making this without the Bobolink and it doesn’t come close in flavor, aroma or texture. Bobolink sells their cheeses at the Union Square Greenmarket on Fridays (check cowsoutside.com for other market locations).”

Just to restate my enthusiasm for this casserole, I tasted almost 20 casseroles that night and this one was not only far and away the best, it made a casserole convert out of me. I plan to try this recipe immediately. Click ahead to unlock the mystery of “Cheese Love”….

My Critical Condition

 

In the introduction to John Lahr’s 1996 book “Light Fantastic: Adventures in Theatre” he writes, “Criticism, of course, is a kind of performance, but with this difference: the artist puts his life on the line, the critic only his words. This is not to minimize the significance of the activity, but to place criticism in its proper context. Criticism is a life without risk; and, therefore, it behooves the critic to honor the craft.”

This quote, which I recently discovered, comes at the perfect moment for me. I’d been trying to think and re-think my position about reviewing restaurants on my blog, and Lahr’s quote fully articulates my conflict. There’s no question that restaurant reviews are a big part of what makes my blog popular: you can see a huge archive of them in the menu bar above you. But now that I’ve written a book, I’m suddenly in the position of having my own work out there in the public eye. And, as Lahr says, my whole life feels like it’s on the line: if a critic were to trash my book in a big public forum, calling me a first class idiot, I’d be ruined. On the other hand, if Michiko Kukutani calls me a genius in the Sunday Book section, my career will be made. It’s all so unnerving.

 

In the introduction to John Lahr’s 1996 book “Light Fantastic: Adventures in Theatre” he writes, “Criticism, of course, is a kind of performance, but with this difference: the artist puts his life on the line, the critic only his words. This is not to minimize the significance of the activity, but to place criticism in its proper context. Criticism is a life without risk; and, therefore, it behooves the critic to honor the craft.”

This quote, which I recently discovered, comes at the perfect moment for me. I’d been trying to think and re-think my position about reviewing restaurants on my blog, and Lahr’s quote fully articulates my conflict. There’s no question that restaurant reviews are a big part of what makes my blog popular: you can see a huge archive of them in the menu bar above you. But now that I’ve written a book, I’m suddenly in the position of having my own work out there in the public eye. And, as Lahr says, my whole life feels like it’s on the line: if a critic were to trash my book in a big public forum, calling me a first class idiot, I’d be ruined. On the other hand, if Michiko Kukutani calls me a genius in the Sunday Book section, my career will be made. It’s all so unnerving.

How To Judge A Casserole Contest

When I gave up a career in the law for a career as a food writer, who knew I’d wind up a judge?

Well that’s exactly what happened last week when I went to Brooklyn Label to co-judge The Third Annual Casserole Party, the brainchild of casserole enthusiast Emily Farris. I was a second choice judge: the first choice, the godmother of foodblogging (and friend of Emily’s) Julie Powell couldn’t do it and so Julie wrote me (our first contact) and asked if I would replace her. I said “sure” and that’s how I ended up on the panel you see above, along with Ruth Graham, senior editor at Domino, and Miriam Garron, a sous chef at The Food Network: a casserole court to be reckoned with. [Note: these pictures are pulled from Emily’s Flickr page.]

Have you ever…

…spent two hours on a post and then, just before clicking post, accidentally closed the window and lost everything? Well I just did! I need to go for a walk.

Bones

They say charity begins at home. They also say that “no good deed goes unpunished.” But I have a new aphorism that I hope some day catches on: “Donating your clothes to the Salvation Army leads to goat curry.”

After a week of cleaning out the closet, making room for Craig, we had four giant garbage bags of clothes we didn’t want anymore. Instead of throwing them out, I volunteered to bring them to the Salvation Army which, in Park Slope, is on Atlantic Avenue, west of where we live.

I’d only ever been to the Post Office on Atlantic Avenue and so, in my journey to Salvation Army headquarters, I discovered a whole new world of eating I never knew existed. In particular, a placed called “Stir It Up: West Indian Cuisine.” After dropping off the bags to grateful Salvation Army workers, I decided to pop into “Stir It Up” for lunch (especially after reading a nice review of it from The New York Times taped to the window.)

Of all the items on the menu, two jumped out as dishes I should try because I’d never had either before: (1) ginger beer; and (2) goat curry. The ginger beer was dynamite: literally, my mouth lit up with the heat that comes from chopped, uncooked ginger. I really liked it.

The goat curry was pretty great too and what made it great is the subject of today’s post (it took me a while to get there): bones.

Scroll to Top