Entries from The Amateur Gourmet tagged with 'writing'
How To Write A Book About Food
It recently occurred to me that I wrote a book. Yes, almost a year ago my book, “The Amateur Gourmet: How To Shop, Chop and Tablehop Like A Pro (Almost)” was released by Bantam/Dell. The book, which will come out in paperback in the fall, has served me very well in its brief life. It led to readings at the Park Slope and Boca Raton Barnes & Nobles featuring giant posters that said “Meet Adam Roberts” which my mom has preserved like the Dead Sea Scrolls in my old bedroom; it led to meetings at the Food Network which, in turn, led to my job hosting “The FN Dish”; it garnered praise from Frank Bruni on his blog as well as positive reviews from Publisher’s Weekly and The Boston Globe; and, most importantly, it led to loving, thankful e-mails from readers just like yourselves who discovered my book buried beneath William Wegman calendars in the discount bin of your local bookstores and instead of tossing it aside, brought it home, read it, and were inspired to become passionate cooks and eaters. It’s this last bit that makes writing a food book such a rewarding and noble endeavor: with a few flicks of your fingers, you can change lives. So how do you do it? I’m not here to tell you how to get a book published. You all know everything there is to know about my launch into the publishing world: you’re looking at it. I started a blog, the blog got attention, an agent e-mailed me, a book proposal was drafted, sold and then I got into the nitty gritty of writing a book. And that’s what this essay is about: how to write a book about food....
How Successful Writers E-Mail
One of the most surprising things I've learned over the past few years of running this blog and entering the world of food and writing is this: when e-mailing a famous writer--food writer or not--the best strategy is to keep your e-mails short short short. Eight paragraphs about your life, love and devotion to this writer's writing will not win you much favor. Instead, pare it down to just a few sentences. You'd be shocked at what writers, when e-mailing one another, sacrifice to keep their e-mails short. The bloody corpses of punctuation, syntax, grammar and logic are strewn across countless e-mails in my inbox. And yet when I re-read e-mail exchanges I've had with successful writers, the e-mails are always pointed, smart, and incredibly succinct. Same is true, actually, for agents and editors as well as producers, publicists, and directors. Keep it brief, keep it smart, and you'll be rewarded. Just a tip from your old friend, The A.G....
